Head Construction

Head Construction

local workshop | This program has been canceled

All Levels

2/8/2021-2/9/2021

9:00 AM-4:00 PM on Mon Tue

$210.00

$35.00

The ability to produce a great portrait is more than just copying what is in front of you. Head construction is a complex and intricate skill gained through time and practice. Understanding the construction of the human head allows you to enhance and create portraits either in a traditional classical format or in one where your imagination has no limit. In this course you will begin to analyze individual pieces of the head and how they fit together. This is not an illustration class, but one that will teach you how to pick and choose the story that will go on your canvas. www.tracyschacht.com

Schacht, Tracy

Born and raised in Tucson Arizona, I left home at 18, anxious to see the world and start my artistic journey. I made my way to the beautiful Northwest and enrolled in the Seattle Academy of Fine Art. Becoming an artist, for me, was not a divine intervention...I felt that God was occupied with other pressing matters at the time. It was during an exhibit of John Singer Sargent, at the Seattle Museum of Art, that my life's passion of creating high-quality, meaningful art was ignited. I have since studied at Scottsdale Artists' School, Palette & Chisel Art Academy, and Watts Atelier. I have also taught at Scottsdale Artists' School, the Phoenix Art Museum and Studio 1307. I've painted with some of the most notable painters of our time and have been inspired by such greats as Antonio Manchini, JC Lyendecker and Drew Struden. My art, like my life, is about persistence not perfection. I'm never happy with just one idea, but instead, I have a continual flow of ideas that allows me to create a wide variety of original work. I ask myself, why should I be pigeon-holed? Why should anyone? Titles that define individuals, in my opinion, are a waste of time and energy...they're a distraction. Knowing every day when I sit down at the canvas that the odds of me becoming famous are very rare, I persist for the love of the craft. I feel impassioned artists not only live to create, they must also create to live. Yes, I have been featured in magazines, won awards, and have many of my pieces scattered throughout various collections around the world. But these credentials, along with decisions made by judges, collectors and curators, do not define my worth. In my opinion, all the schooling, teaching, exhibits, awards, and collectors do not define an artist more than the eye of the beholder.