WHY PAINT A LION?

WHY PAINT A LION?

Adult Online Art | This program has been canceled

All Levels

7/13/2021-7/27/2021

10:00 AM-1:00 PM on Tue

$300.00

To assist you in preparing for this class, we have provided a link to the setup / test pages from the conference provider. If you have never used this conference service before please click on the link below so that your PC or device will be ready to participate in this class.

ONLINE! | 10AM-1PM Mountain Standard Time (Arizona)| on ZOOM and Facebook! | 3 Tuesdays
Over three online sessions of three hours at a time, Guy Combes will not only demonstrate how he produces a simple oil painting, but also outline what his motivations are to choose wildlife as his subject, and explore ways that you can elevate your wildlife paintings to have more meaning, while remaining within the boundaries of realism. The first session will focus on subject and composition, and while reference will be provided for the exercise of rendering, students are encouraged to submit any images that have special significance to them, that they would like to translate into a painting. At the end of the session, there will be an assessment of these materials and suggestions of how to move forward with them. The second session will be a demonstration of technique in both real time and time-lapse video showing palette mixing, paint application, glazing and finishing. In the third session, students are encouraged to show their work, either previously painted or produced as part of the class, and considerate critique will be given.

Combes, Guy

GUY COMBES (AFC, SAA) was born in Kenya in 1971, the son of renowned wildlife artist, Simon Combes. His art background came not just from his father, but an interest in exploring different forms of media and commercial application. His education included sculpture and design at college in England where he also majored in history of art. He returned to Kenya in 2001 and quickly rekindled his love for Africa and her wildlife, becoming involved in a number of conservation causes for which he now tirelessly campaigns, including Soysambu Conservancy - his Kenyan home-away-from-home - and preserving the rich mosaic of biodiversity in the Great Rift Valley. In 2011 he completed five years as Artist in Residence at the Hiram Blauvelt Art Museum in New Jersey and this gave him the opportunity to reach an American audience, not only with his art, but also his experience of Africa. He is a signature member of both Artists for Conservation and the Society of Animal Artists, and his work has been both awarded and accepted into national museum shows, galleries and tours. He regularly revisits Kenya where he leads expeditions for artists and groups of conservation biology students from the US. He has lectured at zoos and universities on the East Coast including Yale and George Mason, with whom he has set up research programs at a facility he helped develop at Soysambu Conservancy, and now regularly gives art workshops in Canada, the US and England. America is where he has found his niche, and the future for Guy will involve his time being spent working on artistic projects that bring awareness to international audiences, while developing his own field knowledge on the ground in Kenya in order to inform himself and the people he is so passionate about showing it to.