Studio Concentration: Painting from Life

Weeklong Workshop | This program is completed

1501 10th Ave East Seattle, WA 98102 United States

TBD

Intermediate

12/2/2019-12/13/2019

9:30 AM-4:30 PM PDT on Mon Tue Wed Th Fri

$1,050.00

$945.00

$10.00

In Ginsberg’s two-week Studio Concentration, students will have the opportunity to work with the master for 30 of their workshop hours, with access to a model for 60 hours. In addition, students will have the option of working independently in a shared studio space during the evenings.Students and instructor will paint from life each day with an alla prima procedure, stressing careful observation of the model regarding form, shapes, proportion, gesture, perspective, values and color. Ginsburg’s teaching method will direct students to paint the unique realities of each model. "We will paint what we see, not what we know" (Charles Webster Hawthorn) to capture the poetic beauty of the reality, not some formula.Ginsburg will discuss concepts, expression of concepts, contemporary realism, and the painting of the Old Masters. This Studio Concentration will cover: Head Studies, Figure Studies, the Portrait, Painting the Figure, and a Multi-Figure Composition from life with two models, for which Ginsburg is renowned and highly regarded.Ginsburg will critique each student every day and give painting demonstrations. He will also paint half of each session on his own painting. Max believes that this is an excellent teaching tool, better in many ways than relying only on what the teacher says.

  • OIL PAINT
  • Titanium White (Large Tube)?The following in regular size tubes:
  • Cadmium Yellow Lt. or Pale
  • Yellow Ochre
  • Cadmium Red Lt.
  • Alizarin Crimson
  • Raw Sienna
  • Burnt Sienna
  • Burnt Umber
  • Cadmium Green Pale., (Windsor Newton brand)
  • Cinnabar Green Medium (Rembrandt brand)
  • Viridian
  • Cerulean Blue
  • Ultra Marine Blue
  • Mars Black
  • BRUSHES
  • Raphael - Paris Classic, (Type #3572 Bristle Filbert) Size #4, #6, #8
  • Robert Simmons "Signet", Brights, Size #1, #2, #3 (or similar brushes)
  • Silver Brush Renaissance (Type #7110) Red Sable #1, #2
  • MEDIUMS
  • Linseed Oil
  • Turpenoid or Gamsol
  • SURFACES
  • Stretched Canvas, primed (Portait Texture) and toned or
  • Hardwood Panel, gessoed and primed and toned
  • or Canvas Board
  • SEE MY LETTER ON JULY !st
  • OTHER
  • - Two metal cups with caps (for turpenoid and linseed oil)
  • - Palette Knife
  • - Soap for washing brushes
  • - Rags and Paper Towels
  • - A French Easel with legs (for students who wish to sit while they paint) with a wooden or plastic palette, OR a 12" x 16" wooden paint box with a wooden or plastic palette for t hose students who wish to paint at a standing easel.
  • - A small sketch pad, 8 1/2" x 5 1/2", a pencil and black ball pen.?
  • ADDITIONAL
  • Bring whatever materials you are used to working with