The Classical Approach To Figure Painting In Oil

Weeklong Workshop | This program has been canceled

1501 10th Ave East Seattle, WA 98102 United States

TBD

All Levels

1/6/2020-1/10/2020

9:30 AM-4:30 PM PDT on Mon Tue Wed Th Fri

$675.00

$607.50

$10.00

In this 5-day workshop, American figurative artist Patricia Watwood will teach the steps she uses in painting a model from life. Watwood is a leading figure in the contemporary classical movement, focusing on the figure, most commonly in the nude. She cleverly uses allegory and mythology against urban settings to unite a classical aesthetic with a modern sensibility.
Students will first focus on strategies for composition, design and creativity, including creating a thumbnail sketch of a single pose. Demos will help master to the subtleties of warm and cool relationships and color in skin tones, while students set up their drawing on the canvas, create an under-painting in a limited palette, and make a detailed finish with a final pass in full color. With the theme of simple strategies used in creating complex figurative artwork, we will explore how props and design can inspire work that is “outside the studio” and limited only by your imagination.

In 2011-2012 St. Louis University Museum of Art, and The Forbes Galleries hosted Watwood’s solo museum exhibit, Patricia Watwood: Myths & Individuals.

  • Paper/Canvas/Sculpting Material
  • 2 8x10 canvas panels (pre-gessoed)
  • 1 pre-prepared linen canvas (acrylic or oil ground ok) 18 x 24 up to 20 x 24
  • Paint/Color/Dry media
  • Gamblin FastMatte Alkyd Oil Colors—Titanium white 37ml
  • White (Gamblin Flake White Replacement)
  • Radiant Yellow – (Gamblin) or Brilliant Yellow
  • Yellow Ochre
  • Italian orange ochre (Williamsburg)
  • Cadmium red light (Gamblin)
  • Venetian Red
  • Burnt sienna (Michael Harding or Gamblin)
  • Raw umber (Gamblin)
  • Viridian (Gamblin)
  • Ultramarine Blue (Gamblin)
  • Manganese violet (Gamblin)
  • Ivory Black (Gamblin)
  • Optional additional colors:
  • Gamblin FastMatte Alkyd Oil Colors in Burnt Sienna and Ultramarine Blue
  • Brilliant pink (Holbein)
  • Cinnabar Green (Holbein)
  • Kings blue (Williamsburg, or Michael Harding)
  • Brush/Pencils/Sculpting tools
  • 2 larger bristle long filberts size 8-12,(i.e. Rosemary Brushes Ultimate Filbert, size 12)
  • 1 badger fan brush, medium size or other soft mop/fan brush
  • 2-3 white nylon filberts from ranging in size from 2-8, (ie.Rosemary Brushes Ivory Long Filbert size 6)
  • 1 white nylon round size 2 (small and pointy )
  • 3-4 gold nylon or sable brushes in filberts (i.e. Rosemary Eclipse Longer Filbert size 10)
  • 1 small sable or gold nylon round size 4, (i.e Rosemary Series 99 Pure Sable size 4) (small and pointy)
  • Miscellaneous
  • palette (mine is a “Feather’s Touch” 10 x 14 wooden handheld)
  • palette knife, like Loew Cornell J-12
  • medium aluminum palette cup- or empty 2-4 oz jar
  • Brush tank, like a Silicoil or mason jar with lid
  • Paper towels and at least one painting rag (old t-shirt!)
  • Odorless mineral spirits, like Gamsol (recommended)
  • Stand oil- (small bottle)