Advanced Watercolor

Advanced Watercolor

360 Online Class | This program is completed

Advanced

9/15/2020-11/17/2020

9:30 AM-12:30 PM PDT on Tue

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$490.00

$441.00

$10.00

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As an experienced watercolor painter seeking to refine your practice and strengthen your personal style, you are invited to work under the close mentorship of Tom Hoffmann to develop independent painting projects according to your own artistic vision. Hoffmann assists you in your mastery of advanced techniques and innovative approaches to increasingly complex compositions. Class time includes group discussions and critiques. Completion of INTERMEDIATE WATERCOLOR or instructor permission required. New students welcome.

  • Paper
  • I strongly recommend using a good quality rag paper, such as Arches, Lanaquarelle or Fabriano. 140 lb. is heavy enough (90 lb. buckles). We work mainly with cold-pressed and hot-pressed paper.
  • Paint
  • USE GOOD PAINT! Cheap paint works ok, but you’ll need so much more of it to get the saturation you see with good paint, that there is no savings, and the amount of binder that ends up on the paper can be shiny.
  • Palette: In general, it’s a good idea to have two (or more) reds, yellows, blues, and greens, plus a brown and a violet. The intense, transparent colors (alizarin crimson, quinacridones, phthalo green, phthalo blue) are very useful for mixing, even though you don’t see them much in nature. Earthier tones depend more on the locale. Here is a palette that works well for me (these are Daniel Smith Artists' Materials names):
  • • New gamboge
  • • Quinacridone gold*
  • • Hansa yellow light*
  • • Quinacridone red*
  • • Vermillion (or cadmium red scarlet)
  • • Alizarin crimson permanent
  • • Pyrol Orange
  • • Sap green*
  • • Rich green gold
  • • Ultramarine blue
  • • Cerulean blue
  • • Cobalt blue
  • • Phthalo blue*
  • • Indanthrone blue
  • • Transparent Pyrol orange
  • • Carbazole violet
  • You may want to start with fewer colors, in which case the starred colors are the essential ones.
  • Brushes
  • Part of the emphasis of the class involves keeping your paintings simple, so you won’t need tiny brushes. Well, maybe one. I use:
  • 3 flats, 1/2", 1" and 1 1/2"
  • 2 rounds, #30 (or the largest round you can find) and #14
  • liner
  • Miscellaneous
  • Lightweight board (masonite or gatorboard, 16" x 24")
  • Artist’s tape or acid-free black masking tape (blue painter’s tape is okay)
  • Water container for dipping brushes (yoghurt containers work)
  • Clean sponge (if you don’t have a brush big enough to wet a half sheet of paper)
  • Large palette (11" x 15" or so with large mixing areas and plenty of wells for your colors, such as Richeson or Robert Wood)
  • • Easel or table top. • Paper towels • microphone and camera enabled computer • ipad or smart tablet. • smart phone (android or IOS) • Strong internet connection • Excited Attitude!