-Professional grade paints.
I am suggesting a color palette rather than requiring it. I want you to have a good range of color - think of colors you would find in nature.
Suggested palette:
Aureolin Yellow, Hansa Yellow Light or Nickel Azo Yellow
Cadmium Yellow Light or Medium
Quinacridone Gold
Rose Madder Genuine
Cadmium Red Light or Medium
Permanent Rose
Cobalt Blue
French Ultramarine Blue or Ultramarine Blue
Phthalo (Winsor) Blue - green shade
Cobalt Turquoise Light
Dioxazine Violet (Winsor Violet)
Phthalo(Winsor) Green - blue shade
Viridian
Hooker’s Green
Sap Green
Burnt Sienna
Burnt Umber
Quinacridone Burnt Orange
-Brushes. I recommend mixed synthetic/natural hair brushes, but there are good synthetic brushes available and they tend to be more affordable. Have a variety of sizes – for example, a #8 round, a #3 or #4 round, a 3/4” flat and a 1-1/2” wash.
-Two 22” x 30” sheets of 140# professional cold press (or hot press, your preference) watercolor paper (Substitute canvas or other substrates for your medium).
-One 22” x 30” sheet of 300# cold press (or hot press) watercolor paper (same choices as above)
-15” or 18” metal ruler and x-acto knife for cutting 300# paper
-Painting or drawing board (large enough to hold an 11” x 15” sheet of paper – you can work larger than this, but we will mostly be working on ¼ sheets)
-A roll of ¾” or 1” artist’s or painter’s tape (FrogTape is good)
-A white plastic 18-well (or larger) palette. Porcelain is best, but pricey. Porcelain saucers are also great to have.
-A plastic spray bottle (I recommend Flairosol Spray bottles)
-3 water containers and paper towels
-Pencil and eraser
-Scraps of watercolor paper (backs of discarded paintings)
-A hair dryer
If you have any questions, email me at lindajamesart@gmail.com