The Seated Figure in Ceramic Clay
Workshop | Available
Alicia Ponzio will be offering this intensive 5-day workshop on the Seated Figure in Ceramic Clay. Students will work from life on a minimal armature, in water-based clay at roughly 24-inch scale. Working with a live model, we'll start on day 1 with several quick sketches to select the best pose possible for the class. Once we've chosen the pose, we'll continue with the same pose for the remainder of the time to develop the project. On the final day, we'll hollow out the pieces and prepare them for firing. (The firing is optional and is not included in the cost of the class.) During the workshop, Alicia will talk about how to manage the proportions and gesture with a minimal armature, as well as focusing on the composition and effect of the piece. Teaching methods will include demonstrations, brief lectures, and individual feedback. Alicia will work alongside the students. www.aliciaponzio.com
Alicia Ponzio
Alicia N. Ponzio (b.1974) began her career as a Lieutenant in the United States' Navy Nurse Corps. After experimenting with various mediums in figurative art, she found her voice in sculpture and made the decision to pursue it. Her pursuit took her to the Florence Academy of Art (FAA) in Florence, Italy, where she completed the Sculpture Program in 2008. She was then the director of the Artistic Anatomy and Écorché Sculpture programs, as well as a figure drawing instructor at the FAA until 2011, when she returned to the United States to set up her creative studio in downtown San Francisco. In 2014 Alicia and her partner, Justin Hess (painter, b. 1981), co-founded a private teaching atelier, also in San Francisco, JHess Studios. Alicia is active in a number of professional organizations including the National Sculpture Society and Portrait Society of America, in addition to creating works for gallery and commission, and maintaining an active teaching schedule at JHess Studios and various other venues in the United States and beyond. Alicia brings life to her bronzes and plasters, focusing on the abstract movement of forms as embodied in the human figure, as well as the subtle shades of human emotion. She favors asymmetry, irregularity, and variety in design: qualities that suggest a human touch. Her figure compositions and portraits have received recognition and honors from several organizations including the Art Renewal Center, the Catharine Lorillard Wolfe Art Club, The Portrait Society of America, The California Art Club and The National Sculpture Society from which Alicia received the Alex J. Ettl Grant in 2016. Her work ranges from miniature portraits to larger scale single figure and multi-figure compositions. She works extensively in plaster to achieve her effect, and casts the final product in bronze.