Animal Art: Beyond Realism

Animal Art: Beyond Realism

Workshop | Available

Intermediate to Advanced
11/2/2026-11/5/2026
9:00 AM-4:00 PM MST (Arizona) on Mon Tue Wed Th
$750.00

Animal Art: Beyond Realism

Workshop | Available

If you are ready to push past conventional realism in your animal art, then please join disrupted-realist artist Julie T. Chapman for four days of challenging yourself to step outside traditional boundaries. "I want to help you grow as an artist who loves and paints animals — and who would like to go beyond simply depicting them. My work focuses on animals in a disrupted-realism fashion, and it’s not an easy journey…but when you create an image that goes beyond the surface and touches your viewers deeply, it’s incredibly worthwhile. This journey is definitely not for everyone, though, but if you are willing to explore and experiment, please join me. Students should have a good foundation in drawing and values. I don’t think I have any ‘secret sauce’ to share, but I look forward to exploring this interesting terrain with you.”

Focus Areas:

  1. The 5 fundamentals of every piece (and use these for self-critique)
  2. How to go beyond straightforward depiction
  3. Asking yourself what you want to express
  4. The use of tools like Procreate and Lightroom to help you visualize
  5. Experimentation to stretch your boundaries"


  www.JulieTChapman.com



Chapman, Julie T.
Julie T. Chapman

Julie is a Montana-based artist with an abiding love of the modern American west. She works primarily in paint and scratchboard; her mission is to share her wonder at the beauty and sentience of the animal nations with which we share this planet, and to connect others to Nature with her work.

Since 2010 she has been working predominantly in scratchboard and has been delighted to help pioneer its acceptance as a fine-art medium. Beginning in 2019, her painting process evolved into a ‘disrupted realism’ style, where her subjects are fragmented and the outcome of each piece is unknown at the start. The journey involves abstraction, drawing, scraping, and re-working — all in a search for “the right amount of not enough”.

The fragmented aspect of these paintings is her response to the chaos and intolerance that is everywhere in our environment - social, political, natural. Many of the paintings are intended to confront the viewer, to spur us to ask questions of ourselves and of each other.

The ‘incompleteness’ of her subjects also feels to her as if it is revealing something more elemental, more essential...perhaps reflecting her own deep emotion and love for the animals she paints. She states, “these pieces require a deep, wordless conversation; they demand more from me than any other body of work I have done before, and I frequently struggle with self-doubt in the process…yet each painting that works is deeply satisfying.”