50 Shades of Pastel Greys

50 Shades of Pastel Greys

Class-Micro | Available

All Levels
10/21/2026 (one day)
9:00 AM-4:00 PM MST (Arizona) on Wed
$110.00

50 Shades of Pastel Greys

Class-Micro | Available

Have you ever wished you could make a painting that looked like a photograph? Learn to create luminous black, white and grey pastel paintings that evoke vintage photography. Seize your "50 shades of pastel greys" by using black, white, and any greys you have along with simple techniques to make 2 small "photo- inspired" vintage pastel paintings. This technique can help you to learn to paint better than you knew you could! Focus will be on; Everything you need to know about soft dry pastels! Blending pastels effectively and quickly, Using black to create contrast and depth, layering pastels to create glowing effects with soft whites. mark-making and repetitive patterns as a pastel painting approach. This class will focus on landscape painting. 

  • SUPPLIES 
    ANY BLACK, WHITE, AND GREY SOFT PASTELS ARE PERFECT!
    Pastel pencils, grey, black and white,
    OR
    Generals black and white charcoal pencils
    (6B and HB along with white in a set at Michael's and Hobby Lobby for about $8.)
    Masking tape
    Pastel paper

    I recommend using 800 grit UArt pastel paper, but it is not required.  
Wagener, Ellen
Ellen Wagener

Over the years, Ellen Wagener has developed a penchant for certain areas and places, revisiting these sites to observe the changing crops, weather, time of day or season. She absorbs the characteristics of a location and recreates it anew on paper.

Wagener's landscapes demonstrate her awareness of the great tradition of landscape painting, from which she invents her own conceptual and stylistic approach. The Hudson River School, American Luminism, the French Barbizon School, Impressionism, and 20th-century Iowa artists such as Grant Wood and Marvin Cone are the landscape painters that inspire her. At the same time, the influence of the work of such Abstract Expressionists artists as Jackson Pollock and Franz Kline can be felt in her use of frenzied, gestural lines. Her tour-de-force, F5Tornado, 2003, in the Figge Art Museum permanent collection, demonstrates her ability to work within her own alphabet of realistic landscape imagery to create symbolic, abstract works. Stormy clouds, burning fields, dust storms, and tornadoes move across her formerly pristine, carefully groomed landscapes, demonstrating the powerful force of nature.

Contrast is key in Wagener's work. There are strong gestural elements and ethereal clouds that soften the focus. While her renderings of fields and trees have a tactile quality, the skies are always elusive. The warm tones of the land against the cool colors of the sky are depicted in endless variations, whether spring, summer, fall, or winter. Her ability to capture the color, light, shapes, and textures of nature allows us to feel the cultivated land, to marvel at the endless diversity of the sky, and to have a mysterious encounter with nature.

Written by Jane Milosch, Director, Smithsonian Provenance Research Initiative, Office of the Under Secretary for History, Art, and Culture, Smithsonian Institution, Washington, D.C.